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Call to arrange same-day courier delivery within the M25 and other South-East locations ... Read More >>AJA: KI-PRO-R0 (No Hard Drive)
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5 Year Warranty On All Aja Mini-Converters, FS1, & FS2. |
| 3 Year Warranty On All Desk-top Video Cards, Ki-Pros, & IOs. |
Ki Pro Base Unit, Portable Digital File Recorder with Apple ProRes 422, Includes: FW800 cable, Ki AC Adapter (AC to 4-pin XLR) (Configure with HDD or SSD Storage Module)
A revolution in production and post
Eliminate the cost and inconvenience of logging and capturing footage. Ki Pro produces Apple ProRes 422 QuickTime files that are ready for immediate use within Final Cut Studio. Simply connect the media to a host computer and begin editing. Unify SD, 720 and 1080 cameras and formats with one superior 10-bit full-raster codec-Apple ProRes 422. Ki Pro features cross-conversion so you can have a 720p camera produce a 1080i recording to match your other camera... or vice versa. And if you've got high-quality SD cameras, Ki Pro can even help you extend their use since it also up-converts SD camera signals to HD recordings.
- No more digitizing
- No more worrying about which camera to use
- High-quality ready-to-edit video
Ki Pro in the field
Ki Pro is portable and rugged; designed for a variety of production environments. Powered through an industry standard 4-pin XLR, you have flexible AC and battery options. An optional exo-skeleton can be used with your camera and tripod-complete with sliding baseplate and slots for 15mm rods.
Ki Pro connects
Capture the full quality of your camera by tapping the direct uncompressed camera outputs. Connect any digital camera or VTR via component analog, SDI or HDMI to Ki Pro. Balanced and unbalanced audio connectors, LTC input/output, and even LANC, are provided. By bypassing tape or recordable media compression, Ki pro maintains the best possible image quality your camera produces.
Ki Pro and Final Cut Studio
From acquisition to delivery, use the codec at the core of Apple's Final Cut Studio suite of applications. Ki Pro supports an Apple file-based workflow by recording standard Apple ProRes 422 QuickTime files on industry standard media. Record to removable 34mm ExpressCards, or a removable HDD Storage Module containing a 250GB hard disk drive (standard) or an optional SSD Storage Module with a solid state disk. When removed, the Storage Module functions as a standard bus-powered FireWire 800 drive. If bus power is not available, the Storage Module can be powered from an AC power adapter (supplied).
Storage Options
| Storage Module | Estimated Record Times (Hours) | ||
| Format | PAL DV50 @25fps, 44.1KHz Stereo Audio | 1080i50 @25fps DVCProHD, 48KHz Stereo Audio | 1080i ProRes422(HQ) @29.97fps, 48KHz Stereo Audio |
| Data per Hour (GBytes) | 26.24 | 49.29 | 112.06 |
| 250GB 7200rpm Hard Drive | 9.5 hours | 5.1 hours | 2.2 hours |
| 500GB 7200rpm Hard Drive | 19.1 hours | 10.1 hours | 4.5 hours |
| 128GB Solid State Drive | 4.9 hours | 2.6 hours | 1.1 hours |
| 256GB Solid State Drive | 10.1 hours | 5.4 hours | 2.4 hours |
| 300GB Solid State Drive | 11.4 hours | 6.1 hours | 2.7 hours |
Video Input
Digital:- SD and HD-SDI (1xBNC), SMPTE-259/292/296 HDMI
- SD/HD Component (3xBNCS):
SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB, YPbPr 12-bit A/D, 2x oversampling
Video Output
(all simultaneously active)Digital:
- SD and HD-SDI, SMPTE-259/292/296 (1xBNC) HDMI
- Composite (1xBNC):
NTSC, NTSCJ, PAL
12-bit D/A, 8x oversampling - SD/HD Component (3xBNCs):
SD: SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB
12-bit D/A, 8x oversampling HD: YPbPr, RGB
12-bit D/A, 2x oversampling
Audio Input
Digital:- 24-bit SDI embedded audio, 8 channel, 48kHz
HDMI embedded, 2 channel
- 24-bit A/D, 2 channel balanced (2 XLR), 48kHz
Input level: Line, Mic, Mic + phantom 48Vdc
2 channel unbalanced (2 RCA)
Audio Output
Digital:- 24-bit SDI embedded audio, 8 channel, 48kHz
HDMI embedded, 8 channel
- 24-bit D/A, 2 channel balanced XLR, 48kHz
2 channel unbalanced (2 RCA)
Network
- 10/100/1000 Ethernet (RJ45)
- 802.11g Wireless Embedded webserver for remote control
Panel User Interface
- 2 x 20 character display, with dedicated buttons
Timecode
- LTC timecode input and output via BNC
Control
- LANC Loop (2 LANC connectors)
- Lens Tap: connects to optional AJA Lens Tap intercept cable placed between camera body and lens for start/stop control
- IEEE-1394a/FireWire 400 for control and timecode data
Machine Control
- RS-422, 9-pin
FireWire
- IEEE-1394b, FireWire™ 800Mb/s connects to Mac Pro or MacBook Pro (mount as harddrive)
Hardware up-conversion - 10-bit
- Anamorphic: full-screen
- Pillar box 4:3: results in a 4:3 image in center of screen with black sidebars
- Zoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side bars
- Zoom Letterbox: image zoomed to fill screen
- Zoom Wide: combination of zoom and horizontal stretch to fill 16:9 screen; this setting can introduce a small aspect ratio change
Hardware down-conversion - 10-bit
- Anamorphic: full-screen
- Letterbox: image is reduced with black top and bottom added to image area with the aspect ratio preserved
- Crop: image is cropped to fit new screen size
Hardware cross-conversion - 10-bit
- 1080i to 720P
- 720P to 1080i
- 720P to 1080PsF
SD to SD aspect ratio conversion
- Letterbox: transforms SD anamorphic to a letterboxed image.
- H Crop: produces a horiztonally stretched effect on the image; transforms anamorphic SD to full frame.
- SD Pillarbox: produces image in screen center with black borders on left and right sides and an anamorphized image in the center.
- V Crop; transforms SD letterbox material to an anamorphic image.
Power
- 100-240 VAC (to supplied AC Adapter);
- 12Vdc to power connector input on side of chassis
